Ovations On Other Sites - Ovation 21 Ovations 06

Formidable Treble chose the topics covered by Ovations On Other Sites - Ovation 21 without reflecting upon the choices others have made. Exploring lost cities with a band of brothers as wild monsters pursue you through forgotten jungles and native tribes rally against invasion is another way to look at things in a different light.
 

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The incidents which it illustrates are treated with even more than the homeliness usual in works of this description when not dealing with such solemn events as the death and passion of Christ. Except when these subjects were being represented, something of the latitude, and even humour, allowed in the old mystery plays was permitted, doubtless from a desire to render the work more attractive to the peasants, who were the most numerous and most important pilgrims. It is not until faith begins to be weak that it fears an occasionally lighter treatment of semi-sacred subjects, and it is impossible to convey an accurate idea of the spirit prevailing at this hamlet of sanctuary without attuning oneself somewhat to the more pagan character of the place. Of irreverence, in the sense of a desire to laugh at things that are of high and serious import, there is not a trace, but at the same time there is a certain unbending of the bow at Montrigone which is not perceivable at Varallo.

One of the best authorities for the period from the Conquest to 1141 is the Historia Ecclesiastica of ORDERIC VITALIS (A. le Prevost, Societe de l'Histoire de France, 1838-55). Born in England in 1075, of a Norman father, a clerk, and an English mother, he was sent by his father at the age of ten to the monastery of St. Evroul, and there he spent his life. The atmosphere in this monastery was favourable to study. It had an extensive library, and Orderic had at his command good sources of information, though he himself took no part in the events he describes. He paid some visits to England in which he obtained information, and as he always looked upon himself as an Englishman, his history naturally includes England as well as Normandy. He began to write about 1123, and from that date on he may be regarded as a contemporary authority, but from the Conquest the book has in many places the value of an original account. It is an exasperating book to use because of the extreme confusion in which the facts are arranged, or left without arrangement, the account of a single incident being often in two widely separated places. But the book rises much above the level of mere annals, and while perhaps not reaching that of the philosophical historian, gives the reader more of the feeling that a living man is writing about living men than is usual in medieval books. It reveals in the writer a lively imagination, which, while it does not affect the historical value of the narrative, gives it a pictorial setting. Orderic's interest in the minuter details of life and in the personality of the men of his time imparts a strong human element to the book; nor is the least useful feature of the work the writer's critical judgment on men and events, generally on moral grounds, but often assisting our knowledge of character and the causes of events.

 

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